The Devil Speaks

DISCLAIMER: Where there is potential, there is danger. If you call a ghost, you must know how to get rid of it. Beware of unearned wisdom.

I did a recording on YouTube awhile ago, a reading from Carl Jung’s Red Book, recently reposted here. This morning had a very fun interaction with a young man, a butterfly. At least he sounded like a young man. He reminded me of myself, probably more intelligent than I, maybe, 😜

🦋

He wanted to share this dialogue from the Red Book with me below. As I had been talking about communing with our Daemon(s)/Daimon(s), your creative will or genius. I think genius is pure will unfettered, powerful and terrible. I’d read this dialogue before. But in a way I felt these invisible creatures of the unconscious were speaking through this interaction to me directly.

We went on for a bit back and forth in the video comments. Reminded me of one of my favorite poems below, “Nothing Gold Can Stay.” He was almost as fast 💨 as me. I’d met my match I felt. I was playing a part with him. I was sincere, but I kind of got caught up in the energy of the conversation. It is rare I have found anyone to go toe to toe with my spontaneous style. He was fast. I really enjoyed the flow. I pointed to some practices that had helped me. But I don’t have any answers or questions about the inner Abyss really.

“Nature’s first green is gold,
Her hardest hue to hold.
Her early leaf’s a flower;
But only so an hour.
Then leaf subsides to leaf.
So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.”

—Robert Frost – “Nothing Gold Can Stay”

The dialogue below is in reference to mythological creatures of the unconscious, the Cabiri. The invisible priests of Zeus divided into Good and Evil groups. Also maybe related or are the machine elves people meet on psychedelics this is a deep ancient hole in our unconscious. This may be Legion in the bible as well.

These are the Gnomes and Dwarves of myth. They were famed metal-workers, dwarfish sons of the god Hephaistos (Hephaestus), who served their father at his Lemnian forge. Like their mother Kabeiro (Cabeiro) the pair were also sea-divinities who came to the aid of sailors in distress. Related to daemons. we don’t know much about them. perhaps related to Atlantean myth.

https://en.m.wikipedia.org/wiki/Cabeiri

Daemons

Perhaps the good Cabiri. A protecting spirit. The belief in such spirits existed both in Greece and at Rome. The Greeks called them δαίμονες (daimones) and appear to have believed in them from the earliest times, though Homer does not mention them. Hesiod speaks of δαίμονες, and says that they were 30,000 in number, and that they dwelled on earth unseen by mortals, as the ministers of Zeus, and as the guardians of men and of justice. He further conceives them to be the souls of the righteous men who lived in the golden age of the world.

In mythology, the current race of Humans is a degraded version, 3rd Age of Humans, 1/4 of what were. Lord of the Rings is based on these myths.

Did Carl reconnect with these beings? The ones people are meeting today? Profound implications if so. I have met these beings inside myself as well.

Carl had a voluntary confrontation with the unconscious through willful engagement of what Jung later termed “mythopoetic imagination”. In his introduction to Liber Novus, Sonu Shamdasani explains:

From December 1913 onward, he carried on in the same procedure: deliberately evoking a fantasy in a waking state, and then entering into it as into a drama. These fantasies may be understood as a type of dramatized thinking in pictorial form…. In retrospect, he recalled that his scientific question was to see what took place when he switched off consciousness. The example of dreams indicated the existence of background activity, and he wanted to give this a possibility of emerging, just as one does when taking mescaline.

Interesting. “The similarities here are undeniable. Jung’s Cabiri work under the earth; while the Machine Elves live underground in a dome-shaped room. The Cabiri are described as mysterious and creative powers, and the Machine Elves can create unbelievable, fractal objects and new autonomous beings, not to mention the similarities in terms of knowledge, wisdom. Those who have visited the DMT realm also often describe encountering jesters, which could also be associated with Jung’s Cabiri as they, according to The Red Book, also lay all sorts of nasty tricks.”

I have seen these fractals myself. I have also met these jesters. What is going on in our unconscious? You had to be initiated in Greece to commune with them. Perhaps the Tarot is an artifact or doorway into the mythopoetic imagination these beings inhabit.

“This could indicate that an ancient pre-Hellenic cult had experimented with altered states of consciousness, either by using psychedelic substances or other meditative and mystical practices that initiated such powerful and moving visions.“

Just old myths, right? Perhaps the DMT realm and our unconscious mind are two faces to the same dimension, which includes infinite vaults of esoteric wisdom and knowledge. Perhaps we ought to frequent this dimension more often, or at least once during our lifetime on this earth, a visit which could unlock deeply-hidden treasures that would help us navigate not only our material lives, but also consciousness itself.

Well, I went and I have to say I feel this realm is more real than real. And the myths say this world Earth/Eden is the best game in town. See the Tibetan Book of the Dead. Make this life count is what they told me. I saw the consequences of all my actions to date, similar to a death review. It woke me right up to how I was wasting my life.

From Carl Jung’s Red Book:

What serviceable forms rise from your body, you thieving abyss! These appear as elemental spirits, dressed in wrinkled garb, Cabiri, with delightful misshapen forms, young and yet old, dwarfish, shriveled, unspectacular bearers of secret arts, possessors of ridiculous wisdom, first formations of the unformed gold, worms that crawl from the liberated egg of the Gods, incipient ones, unborn, still invisible. What should your appearance be to us?

What new arts do you bear up from the inaccessible treasure chamber, the sun yoke from the egg of the Gods. You still have roots in the soil like plants and you are animal faces / of the human body; you are foolishly sweet, uncanny, primordial, and earthly. We cannot grasp your essence, you gnomes, you object souls.

You have your origin in the lowest. Do you want to become giants, you Tom Thumb? Do you belong to the followers of the son of the earth? Are you the earthly feet of the Godhead? 

What do you want? 

Speak!

The Cabiri: “We come to greet you as the master of the lower nature.”

I: ”Are you speaking to me? Am I your master?”

The Cabiri: “You were not, but you are now.”

I: “So you declare. And so be it. Yet what should I do with your following?”

The Cabiri: “We carry what is not to be carried from below to above. We are the juices that rise secretly, not by force, but sucked out of inertia and affixed to what is growing. We know the unknown ways and the inexplicable laws of living matter. We carry up what slumbers in the earthly; what is dead and yet enters into the living. We do this slowly and easily; what you do in vain in your human way. We complete what is impossible for you.”

I: “What should I leave to you? Which troubles can I transfer to you? What should I not do, and what do you do better?”

The Cabiri: “You forget the lethargy of matter. You want to pull up with your own force what can only rise slowly; ingesting itself affixed to itself from within. Spare yourself the trouble, or you will disturb our work.”

1: “Should I trust you, you untrustworthy ones, you slaves and slave souls? Get to work. Let it be so.”

“It seems to me that I gave you a long time. Neither did I descend to you nor did I disturb your work. I lived in the light of day and did the work of the day. What did you do?”

The Cabiri: “We hauled things up, we built. We placed stone upon stone. Now you stand on solid ground.”

1: “I feel the ground more solid. I stretch upward.”

The Cabiri: “We forged a flashing / sword for you, with which you can cut the knot that entangles you.”

1: “I take the sword firmly in my hand. I lift it for the blow.”

The Cabiri: “We also place before you the devilish, skillfully twined knot that locks and seals you. Strike, only sharpness will cut through it.”

1: “Let me see it, the great knot, all wound round! Truly a masterpiece of inscrutable nature, a wily natural tangle of roots grown through one another! Only Mother Nature, the blind weaver, could work such a tangle! A great snarled ball and a thousand small knots, all artfully tied, intertwined, truly; a human brain! Am I seeing straight? What did you do? You set my brain before me! Did you give me a sword so that its flashing sharpness slices through my brain? What were you thinking of?”

The Cabiri: “The womb of nature wove the brain, the womb of the earth gave the iron. So the Mother gave you both: entanglement and severing.”

1: “Mysterious! Do you really want to make me the executioner of my own brain?”

The Cabiri: “It befits you as the master of the lower nature. Man is entangled in his brain and the sword is also given to him to cut through the entanglement.”

I: “What is the entanglement you speak of?”

The Cabiri: “The entanglement is your madness, the sword is the overcoming of madness.”

I: “You offsprings of the devil, who told you that I am mad? You earth spirits, you roots of clay and excrement, are you not yourselves the root fibers of my brain? You polyp-snared rubbish, channels for juice knotted together, parasites upon parasites, all sucked up and deceived, secretly climbing up over one another by night, you deserve the flashing sharpness of my sword. You want to persuade me to cut through you? Are you contemplating self-destruction? How come nature gives birth to creatures that she herself wants to destroy?”

The Cabiri: “Do not hesitate. We need destruction since we ourselves are the entanglement. He who wishes to conquer new land / brings down the bridges behind him. Let us not exist anymore. We are the thousand canals in which everything also flows back again into its origin.”

1: “Should I sever my own roots? Kill my own people, whose king I am? Should I make my own tree wither? You really are the sons of the devil.”

The Cabiri: “Strike, we are servants who want to die for their master.”

I: “What will happen if I strike?”

The Cabiri: “Then you will no longer be your brain, but will exist beyond your madness. Do you not see, your madness is your brain, the terrible entanglement and intertwining in the connection of the roots, in the nets of canals, the confusion of fibers. Being engrossed in the brain makes you wild. Strike! He who finds the way rises up over his brain. You are a Tom Thumb in the brain, beyond the brain you gain the form of a giant. We are surely sons of the devil, but did you not forge us out of the hot and dark? So we have something of its nature and of yours. The devil says that everything that exists is also worthy, since it perishes. As sons of the devil we want destruction, but as your creatures we want our own destruction. We want to rise up in you through death. We are roots that suck up from all sides. Now you have everything that you need, therefore chop us up, tear us out.”

1: “Will I m’iss you as servants? As a master I need slaves.”

The Cabiri: “The master serves himself”

1: “You ambiguous sons of the devil, these words are your undoing. May my sword strike you, this blow shall be valid forever.”

The Cabiri “Woe, woe! What we feared, what we desired, has come to pass.”

The Cabiri were the deities celebrated at the mysteries of Samothrace. They were held to be promoters of fertility and protectors of sailors. Friedrich Creuzer and Schelling held them to be the primal deities of Greek mythology, from which all others developed (Symbolik und Mytlwlogie der alten Volker [Leipzig: Leske, 1810-23]; The Deities ofsamothrace [1815], introduced and translated by R. F. Brown [Missoula, MT: Scholars Press, 1977]). Jung had copies of both of these works. They appear in Goethe’s Faust, part 2, act 2. Jung discussed the Cabiri in Transformations and Symbols of the Libido (1912, CW B §209-II). In 1940 Jung wrote: “The Cabiri are, in fact, the mysterious creative powers, the gnomes who work under l the earth, i.e., below the threshold of consciousness, in order to supply us with lucky ideas. As imps and hobgoblins, however, they also lay all sorts of nasty tricks, keeping back names and dates that were ‘on the tip of the tongue,’ making us say the wrong thing, etc. They give an eye to everything that has not already been anticipated by consciousness and the functions at its disposal … deeper insight will show that the primitive and archaic qualities of the inferior function conceal all sorts of significant relationships and symbolic meanings, and instead of laughing off the Cabiri as ridiculous Tom Thumbs he may begin to suspect that they are a treasure-house of hidden wisdom” (‘~ttempt at a psychological interpretation of the dogma of the trinity,” CW II, §244). Jung commented on the Cabiri scene in Faust in Psychology and Alchemy (1944, CW 12, §203f). The dialogue with the Cabiri that takes place here is not found in Black Book 4, but is in the Handwritten Drift. It may have been written separately; if so it would have been written prior to the summer of 1915.

Quality of Being

image

It is not
By fame
Or Letters
That one makes
A difference
In the world
It is by
Quality of
Thought
Action
And
Creativity

War of the Elements

water judgement
warring elements
Fools lost as always
in the between
such great art
made to remind us
of the worst time
for us mortal few
from a water birth
into the crucible we go
to the
baptism by fire
from above and below
the fire burns hottest
in the heart
our mind and body
consumed in fire
to ashes
they will go
we barely have a chance
to walk the razor’s edge
waiting for the phoenix
to take flight
so before that day
create all you can
and perhaps the
phoenix will
find rest
at last

Image – Danby’s ‘Deluge

Kali the Divine Mother

kali-lithograph
Kali Lithograph c. 1850

I had an interesting experience with the Divine Mother and one of her aspects today. Here is the net of that experience below, an excerpt from Paramhansa Yogananda’s, The Essence of Self-Realization, Ways in Which God Can be Worshiped. There are many aspects of the Creation.

Paramhansa Yogananda visits my dreams and Kali whispers in my ear. If ever I would have followed a guru and Divine Soul like the Christ, it would have been Yogananda. I would have spent some time at his feet. I feel in his words a love for creation that swells my small human breast until it might explode. They are me and we are part of the child of Creation. Who is there to follow? Who is following? Who is writing these words? Who is reading them?  – omega

Ways in Which God Can be Worshiped

“One thing I cannot appreciate in the Hindu religion,” said a Christian severely, “is its plethora of gods.”

“There are many,” agreed the Master. “Each, however, represents an attempt to remind us of God in one of His innumerable aspects. They are abstractions—a way of saying, ‘No human being can really understand what God is, but here, at least, is something that He does.’

“Take, for example, the image of the goddess Kali. This is a good case in point, because, out of all Hindu images, Kali has been the one most misunderstood by Western minds.

“Kali stands naked. Her right foot is placed on the chest of Her prostrate husband. Her hair streams out, disheveled, behind Her. A garland of human heads adorns Her neck. In one of four hands She brandishes a sword; in another,  a severed head. Her tongue, usually painted a bright red, lolls out as though in blood-lust.”

At this point the Christian shuddered. Yogananda grinned roguishly.

“If we thought that this image depicted Kali as She is,” he continued, “I grant you, it might awaken devotion in very few devotees! However, the purpose of that image is to describe certain universal functions of the Divine in Nature.

“Kali represents Mother Nature. She is Aum, the cosmic vibration. In Aum everything exists—all matter, all energy, and the thoughts of all conscious beings. Hence, Her garland of heads, to show that She is invisibly present in all minds.

“The play of life and death expresses Her activity in Nature: creation, preservation, and destruction. Hence the sword, the head, and a third hand extended, bestowing life.

“Her energy is omnipresent; hence Her streaming hair, representing energy.

paramhansa_yogananda

“Shiva, Her husband, represents God in His vibrationless state, beyond creation. Thus, He is depicted as supine.

“Kali’s tongue is protruding not in blood-lust as most people believe, but because in India, when a person makes a mistake, he sticks out his tongue. In the West, don’t you express embarrassment somewhat similarly? You put your hands to your mouth.

“Kali is depicted as dancing all over creation. This dance represents the movement of cosmic vibration, in which all things exist. When Kali’s foot touches the breast of the Infinite, however, She puts her tongue out as if to say, ‘Oh, oh, I’ve gone too far!’ For at the touch of the Infinite Spirit, all vibration ceases.

“Kali’s fourth hand is raised in blessing on those who seek, not Her gifts, but liberation from the endless play of maya, or delusion.

“Those who feel themselves attracted to Nature’s outward manifestations must continue the endless round of life and death, through incarnation after incarnation. Those devotees, however, who deeply long for freedom from the cosmic play worship God in the indwelling Self. Through meditation, they merge in the infinite Aum. And from oneness with Aum they pass beyond creation, to unite their consciousness with God—timeless, eternal Bliss.

“The statues of Kali are not intended to depict the Divine Mother as She looks, but simply to display Her functions in the aspect of Mother Nature.

“The Divine Mother is, of course, without form, though we may say also that Her body is the entire universe, with its infinity of suns and moons. She can also appear to the devotee in human form, however. When She does so, She is enshrined in supernal beauty.

“All the images of gods in India are symbolic. We must look beyond their shapes to the hidden meanings they represent.”

 

My Cosmic Mother’s Face

Fairy dream faces, like fresh flowers,
May bloom in the vase of my gaze for my soul to see;
But the Face that vanished behind space
Cannot be replaced by any of these.

There are faces of transcendent beauty,
Faces of exquisite charm, faces tender and true;
There are faces of sweetness and wisdom,
But there’s none like the face of You.

There are faces tainted by fires of lust,
Faces the wise cannot fathom, faces a child cannot trust.
There are faces of beauty, steeped in glory through and through;
But O Cosmic Mother, they are dim beside You.

There’s the violet, the lily, the lotus, the rose;
Fragrant flower-faces blooming under the snows;
There are faces of stars, and the moon and the sun.
But for me there’s One Face evermore, only one.

After my search through aeons unnumbered,
The never-ceasing streamlets of my dreams
Have melted in Thy silver ocean-face,
Where smiling love forever softly gleams.

Countless silver rays of living beauties
Have melted into one transcendent grace –
The beauties of a million, million ages –
To make, at last, Thine omnipresent face.

Without Thy face, there is no light for me
In all the unplumbed depths of land or seal
Thy beauty-rays are rainbowed over all
Eternity, while planets rise and fall.

On the lips of laughter, on roses in the dawn,
It is Thy smile forever glowing there-
An immortelle of glory, heavenly sweet
With fragrance of unceasing, selfless prayer.

On the calm lake of my breathless bosom,
Where ripplets of desire no more
Play little games like children,
The glimmer of Thy face is spreading o’er.

In the cleansed mirror of my memory,
In the deep crystal pool that is my heart,
I see Thine omnipresence trapped for me-
Of my own self forevermore a part.
As I, awakening, pass through gates of light,
Thy wisdom-face is all my soul can see.
Faded, the pale pleasure-stars of dream skies,
In the omniscient light enfolding Thee.

Auroras, lights squeezed from shimmering hives of atoms,
Flashing feelings, burning vitalities, worlds of flame,
Dumb stones and speaking minds – all melted together
To form Thy one face and to spell Thy one name.

My vision, withdrawn from viewing pulsating centuries,
Throws its countless eyes within to search eternity;
And all I seek, O Cosmic Mother, all I crave forever,
Is the light of one face – the face of Thee!

– Paramahansa Yogananda

Genius

Learning = Thinking = Creativity =

GENIUS

Only Geniuses can save us.

Save yourself!